Of course Stephen King’s On Writing is top of the list, but what about some others?
Two other books really stand out for me that are filled to the brim with fantastic advice on the craft of writing. These two books really helped me.
Save The Cat! by Blake Snyder
I Could Have Written A Better Movie Than That by Derek Rydall
Even if you just write short stories or novels, these two books on the craft of writing are a must!
So I was just wondering, from all you writers out there, what is the best book on writing that you’ve read? What book has helped you the most?
I’d love to hear from you!
Want to enjoy being an author without upsetting the balance of your life? Have I got just the thing for you!
Join me (Sherry Briscoe) Thursday, June 15 at the Collister Library! in Boise. Class starts at 7:00pm and is open and free to everyone.
I have great information to share, and we’ll have some valuable interactive work too. Don’t miss out. Whether you’re a beginner, an intermediate, or a pro – you’ll have a good time in this workshop.
Bring a friend and come down to the Library!
Public speaking is held as one of the top ten fears in people’s minds. But it doesn’t have to be.
I’ll be talking on how building professional speaking skills can improve your writing success at May’s meeting of the Nonfiction Authors Association.
If you write nonfiction please join us. I’ll be sharing my Writers Toolbox:
P – Preparation, Practice, Presence
I – Information
T – Tales, Techniques
C – Connect
H – Hook.
Join me Wednesday, May 31, 6:00 pm at Rediscovered Books downtown Boise.
See you there…
Having a hard time writing dialogue? Here are some ways it can go wrong, and what to do about it.
- TRIVIAL. When characters talk to each other, the reader doesn’t need to listen to the trivial, or unimportant things we all say to each other. We ask about the weather, chat about the inconsequential details of our days, or just generally avoid talking about anything of substance. That type of dialogue clogs your storytelling and drags down the pace. Cut the trivial and only leave the meat of the discussion.
- BORING. Even once you’ve cut the trivial junk, dialogue can still be boring. Deep philosophical discussions, complicated explanations, and dry, technical explanations all bore the reader. Instead, enliven the discussions with conflict, disagreements, or something that leaves the reader wondering what happens next. Think of each bit of dialogue as conflict brought to the surface of the story. Build a tiny narrative arc into each set of dialogue.
- UNBELIEVABLE. After eliminating trivial and boring dialogue, you’ve still got to make sure it’s believable. Would the characters actually SAY that? When a character is too foolish, too opinionated, too extreme, then you have to wonder if it rings true to the reader. It’s a fine line to walk: you want the characters to be bold and bigger-than-live, but you must make those huge characters believable.
- TOO FORMAL. Another thing that can go wrong is the wrong level of formality. While the principal of a school may talk formally, probably your character’s voice will come through in a more informal way. Use contractions. Shorten sentences and use sentence fragments. Leave out the fancy words and let your characters loosen the ties and corsets.
Dialogue is crucial and you can easily get it right with practice. Cut the trivial and boring, make sure the dialogue is believable, and let the characters relax. Don’t let a reader close a book after one chapter just because you blew the dialogue.
Is writing a passion, an addiction, or both? Find out how it affects you and get tips to become a published author without upsetting the balance of your life in this fun, entertaining, and interactive workshop.
Saturday, March 11, 2017
Library! at Cole and Ustick, 7557 W. Ustick Rd, Boise
Noon to 1:00 pm
Free workshop for teens and adults.
While dialogue says a lot, your character’s body can say more.
Here are 5 things to consider with body language:
- Use body language to add depth to your dialogue.
- More than 50% of human communication is non-verbal.
- It shows how your character’s emotions affect his actions.
- It helps to show rather than tell.
- Use it in moderation. If overused, it can slow your story down.
Some examples of emotions portrayed through body language:
Impatience – nod quickly, tap fingers, sigh, check the clock, tap feet, increase pitch in voice, look away
Jealousy – tight lips, sour expression, narrow eyes, crossed arms
Reluctance – cross arms, make fists, drag feet, pinch nose, put hands over ears
Shock – hands over mouth, mouth open, gasp, freeze and stare with wide eyes and raised eyebrows, smack palm against forehead, step back
The Idaho Writers Guild is sponsoring their annual writing contest and YOU can enter. No membership required, no restrictions. This contest is open to everyone everywhere!
So pull out your work, dust it off, and send it in.
Deadline is March 5, 2017.
- Short Story
- Novel first 10 pages
- Non-fiction (either memoir or essay)
go to www.idahowritersguild.com for all the juicy details and hurry, time is running out!
$100 for the first place winner in each category, and $50 to each second place winner. Plus all entries receive the judges scorecards with valuable feedback.